Eco-friendly compact fluorescent light bulb free vector download

Green recycling sign on eco-friendly compact

A long, simple compact fluorescent lamp composed of one u-turn shaped white tube. The energy saving light bulb has a green recycling sign on the white plastic where the electronic ballast resides. The eco-friendly household item is featured against a green seamless background pattern made from the repeating image of a maple leaf.

This is a rework of a previous illustration which had a more  complicated structure, employing mostly basic visual effects of a considerable number of shapes. For this version, i went in a completely different direction in order to achieve a much more simple solution with just a handful of paths. Most of the lighting is done by superimposing stacks of  fill layers, either solid or gradient (both linear and  radial). The background symbol was created from a photo taken a couple of years ago, which i traced and then managed to reduce the number of anchor points.

If you’re interested in using this illustration, please check the licensing page on this blog. You’re allowed to use it in both personal and commercial projects. While, you shouldn’t redistribute it or link directly to the file, you can link to this post instead. Attribution is required.

To download the archive click here.

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Tips for choosing the right prize while running a design contest

Just because most designers fancy themselves somewhere in the back of their minds as promising artists, doesn’t mean they should have to work the way struggling painters of past centuries used to. Unlike a musician or poet, who could turn their problems into great songs, a graphic artist seldom finds working for scraps as a good environment for creativity. Great innovative ideas come when you’re able to distance yourself from the mundane and focus solely on the task at hand.

It’s true that coding or other left brain activities can be automated to a certain extend, reducing development time and resulting in competitive prices. Yet, applying the same principle to graphic or web design activities, in order to achieve lower costs, would defy their very same purpose: achieve a distinctive solution used to best communicate an often commercial message to the target audience.

Like it or not, it’s just not possible to achieve a professional end result, while working at an amateur  level.  Unless you’re willing to offer at least the market’s average, then don’t be surprised if the submissions look more like working granny’s talent showcase or basement kid’s bid for a PlayStation. These are actually the lucky situations, when their submissions are actually subsidized by their current conditions and they’re driven by a need to gain experience or fill their time with something. However, you shouldn’t be surprised if a large amount of the submissions seem strangely familiar.

Your deja-vu feeling should be a clear indication about one of these two things: either the designs are deeply “inspired” by other existing examples or you’re paying for generic, no name and definitely no personality work. It might help you fit into the crowd, but usually that’s a case where you want to stand out as much as you can.  Also, try not to fool yourself into thinking that your clients won’t recognize an amateurish or cheap looking piece, just because they’re not professionals in this area. We’ve all been bombarded with quality design examples for the last few decades that we’re pretty competent at subconsciously recognizing good work when we see it.

Suppose it’s your first contest and you’re still unsure as to how much should your budget stretch. Here’s what will usually happen depending  on your choice:

  • obscenely small prize, about half or two thirds than what you’d normally get. Don’t expect to see more  than a dozen designers joining in. If you do, then you should be convinced they are at the very best hobbyists going for a quick buck or poor East Asian “professionals” who don’t have much time or the interest to spend on your  project. This might work for a brochure with a limited distribution or some vector tracing work where there’s not that much creativity involved. However, would you run the risk of buying a copycat concept or execution if  you were redesigning your logo or the packaging of a product you’ve invested extensive time and effort to create? I bet not. Plus, most respectable designers would feel offended by having  their work underrated. Even those joining in would be reluctant to provide you with more than shallow, one  minute revisions.
  • a  moderate prize or slightly higher than the market’s average. This is usually the most common scenario out there. The number of submissions you’d receive can range from a couple dozen up to even a hundred or more. In this case, the decision to enter the contest will usually be driven by some emotional aspects as well: how easy it is perceived, how fun/interesting  it looks, how knowledgeable of the subject the designer is. Do not expect any overzealous participants, nor more than a couple completely different concepts per designer.
  • a generous prize.  That’s the ideal scenario of the three and it works on multiple levels: the actual financial gains, showing respect to the designers’ work and earning their respect in return, generating positive word of mouth etc. It’s not uncommon to receive hundreds of submissions of which there would  be plenty five star designs.

If you’re not happy with the way things are moving along, you can always increase the amount. However, it’s best to do it from the start.

You should always consider the amount of time needed to come up with a proper submission and then consider adding a little extra to compensate for the risk of actually losing the contest. It’s also better to increase this bonus based on the project as well. Designers will be more reluctant to waste two or three days on a  project, if they feel it’s not worth it, than they would  about spending a couple of hours.

Next time, we’ll delve deeper into what other elements contribute to the success of a design contest.

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Bald mexican with sombrero sleeping on hammock in the desert

Bald fat mexican man with large sombrero sleeping on hammock in the desert - free vector graphics download
A partially bald, fat Mexican man dressed in a plain white costume and wearing black boots is sleeping on a hammock tied between two cactus plants in the desert. His right arm is almost touching the ground, casting long shadows along with the plants. He has a large nose, thick eyebrows, a swirly mustache, a ponytail and has his mouth open. A large sombrero is balancing on the man’s belly, with a black scorpion crawling over it. In the background there are some barren rocky peaks, with the scorching sun low in the sky behind them.

The design process involved drawing the basic shapes with a graphic tablet to achieve some natural shapes. Once that was done i went and simplified the paths. You’ll find the character, background and  foreground on separate layers for easy editing. This was actually a remake on a previous illustration, improving mostly on the man’s figure and fixing some lighting issues.

If you’re interested in using this illustration, please check the licensing page on this blog. You’re allowed to use it in both personal and commercial projects. While, you shouldn’t redistribute it or link directly to the file, you can link to this post instead. Attribution is required.

To download the archive click here.

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Running a design contest – tips for first timers

The outcome of every design contest, from the client’s point of view, is picking the most appropriate solution from a significant amount of submissions. It also doesn’t hurt if you can get it at a noticeably lower price than what an advertising agency or high priced design bureau would normally charge. There are two ways to approach this situation: either as a boss or as a businessman. In the first scenario, you would unload all of your everyday frustrations and nastiness on a bunch of designers, more or less willing to put up with it for a potential win. In the second one, you would actually regard them as the target audience for your contest and find ways in which you can motivate them to achieve the best results.

Don’t hold your hopes too high in finding similar information on any of the websites hosting this type of contests. Just like those dealing with stock photography, project bidding and other contributor based communities, they are more interested in keeping the customer happy. They might know the rules of the game such as a referee does but they don’t know it first hand as a sportsman. What they usually fail to realize is that if the content’s quality is lacking, then sales will too.

At the end of the day, unless you’re one of those intermediary agencies specialized in running design contests for their clients, rather than doing actual work, you won’t have to deal with this too often. That’s why rushing and constantly complaining about it being tiresome to manage, it’s not only a real waste of time but also very impolite. After all, when compared to the designers, you’ll be spending a lot less time reviewing, then they will spend working. That’s why if they perceive you don’t care about it, they probably won’t either.
Here are just several elements that would motivate designers to engage in  your project:

  • the prize – a decent or generous amount will often mean the difference between amateur and professional submissions;
  • the brief’s quality – a thorough brief will usually speed up the process and help designers create better quality work;
  • the amount of feedback and ratings received for each submission – essential for improving the designs and getting plenty of revisions;
  • the overall respect and tone of communication between the contest holder and the designer;

You should also maintain a fine balance between how you want your product to be perceived and the amount of resources you’re willing to invest in promoting it. If you’re bragging about how you’re aiming  for a premium or high end spot, then you should take care that you can reflect that into the way the contest is run as well. To avoid appearing shallow and  eventually creating negative word of  mouth, it’s best to award a motivating prize, create a  professional written brief, treat the designers with the respect you’re hoping to achieve for your brand and don’t change the rules (aka the requirements) halfway through the game. Normally, this would be considered common sense advice. However, a quick search would show just how often most of these guidelines are blatantly ignored and the end results fail to impress.

Also, try not to forget that this is not some philosophy class in Ancient Greece, so sharing ideas and inspiration between designers is a big turn off. Because in the end a participant is either a winner or a loser, nobody wants to see parts of their designs (and time) contributing to the financial welfare of the competition. Not only that, but unless you’re actively coming  up with concept ideas, suggesting other designers try a certain path you’ve seen in one submission it’s also more or less copyright infringement.

Supposed you’ve reached the point where you have to make a decision and pick a winner. Usually, there are three main types of individuals whose opinions will weigh in more or less:

  • You should always have the last saying in this. It’s your choice because at the end of the day, it’s also your hard earned money on the line, your job and your credibility. Nobody else will take the blame if things fail miserably, yet they might take the credit if it works out fine.
  • Your friends and family. It’s quite common to hear clients say how their spouse told them how they didn’t like the colors or their beer buddy didn’t think it was a manly enough concept. However, before taking their feedback into account, you should definitely see if they fit into the target audience. You might hold a lot of respect for them but unless they’d be willing to spend money on your product in real life, then their choice is not only useless but also harmful. Would you sell organic soy milk to junk food aficionados? I bet not.
  • The designers can give you a lot of insight into why they picked certain design elements. It’s only risky if you can’t spot a very convincing smooth talker from a bunch of seasoned professionals. Otherwise, you’ll have a lot to gain if you lend an ear or even ask for additional information. Their experience will help anticipate any problems that might arise and take care of minor details which often go unnoticed, but can make or break a piece.

At the end of the day, holding design contests should be just a means to an end: finding a good designer for your brand while minimizing the risks associated with it. Of course, you could run one for each and every job there is. However, a brand is best promoted when it’s part of a coherent branding and marketing strategy. You won’t be able to achieve that if you constantly swap designers, no matter how thick or well constructed your identity guide is. There simply isn’t enough time for the newcomers to get to know the gist of your product and how it related to your target audience. In the end, the result will be choppy and the savings insignificant compared to the amount of time and money wasted during the process.

You might want to check back in the future as i would be covering certain aspects of successfully running a design contest, more in depth.

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Moorish fleuron ornaments and leafy swirls – free vector graphics

Moorish fleurons ornaments and leafy swirls - free vector graphics download

Groups  of floral ornaments inspired mainly by the lavishly ornate mihrab from the Great Mosque of Cordoba. The set consists of over 20 symbols with all sorts of Moorish themed designs ranging from simple leafy swirls to intricate curly fleurons.  It also  includes three seamless background patterns made by combining some of the graphics. All the elements are saved as swatches for ease of use. You can simply drag and drop them into your files, either as they are or tweaked to your own needs.

The design process involved manually tracing the paths and then fine tuning each anchor point to achieve curves with a natural, flowing rhythm. For the patterns, the biggest issue as  usual was ensuring continuity and coherence between the several items used in each case. You might find them to work best as background elements either in a website or to complement some ornate romantic design  for print.

If you’re interested in using these ornaments, please check the licensing page on this blog. You’re allowed to include them in both personal and commercial projects. While, you shouldn’t redistribute it or link directly to the file, you can link to this post instead.

To download the archive click here.

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15 grunge mug coffee stains – free vector graphics

Five grunge mug coffee stains - free vector graphics download

15 different coffee stains vector graphic marks made by different mugs, teacups and glasses with round bottoms. This is based on a previous set of  just five models which i’ve decided to update. You’ll be able to find anything from very thin full circle symbols to very thick ones which are only partially visible. Along some of them there are also punctual stains dripping from the base, similar to those left by ink drops. Although they appear to have roughly the same size, the graphics are saved as black and white swatches at their original sizes in order to have a better idea about their actual look.

The design process involved (the dirty job of) creating the actual stains on a couple sheets of white paper. They were then scanned into the computer and cleaned/erased all the wrinkles and other unnecessary shades of gray. Applying a threshold step allowed for better control over the amount of details preserved. This also meant speeding up the tracing process and improving the overall results.

If you’re interested in using the graphic, please check the licensing page on this blog. You’re allowed to use it in both personal and commercial projects. While, you shouldn’t redistribute it or link directly to the file, you can link to this post instead.

To download the archive click here.

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Shiny spoon, fork and knife on napkin – free vector download

Shiny tableware set of tea spoon, spoon, fork and knife on paper napkin - free vector download

Simple tableware set consisting of four items, namely a teaspoon, spoon, fork and knife on a cream colored paper napkin with red lipstick marks spread all over it. The silver cutlery shines,  having  all sorts of diffused reflections due to the relatively soft light coming from the side, which also helps create some soft shadows. Beneath the shiny metallic items there is a table cloth with a repeating diagonal pattern consisting of  green rhombuses, each with one of three stylized icons (white signs of plates, forks, spoons and knives). These can be used as standalone graphic elements when needing a quick icon for a restaurant sign or other food  related things.

This file is a rework of a previous vector graphic i had done some time ago. As i wasn’t really content about the way that turned out, this was the perfect opportunity to completely redo the lighting effects, while also learning a thing or two about the topic. The main idea was  to improve its realism while also simplifying the design and removing some unnecessary effects.  The end result uses mainly a number of fills with different gradients, each with a proper blending mode. A simple blur effect was used to soften the shadows.

If you’re  interested in using the graphic, please check the licensing page on this blog. You’re allowed to use it in both personal and commercial projects. While, you shouldn’t redistribute it or link directly to the file, you can link to this post instead.

To download the archive click here.

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Pros and cons of participating in design contests

The very few times when i think about the meaning and purpose of contests in general, i picture them as one-off events where you give your all  for a chance to achieve something you truly desire. They help mobilize your strength and creativity to defeat all other competitors. It’s more or less a battle, which in a perfect world would be entertained with fair-play, but in reality it’s either as cut throat as you can imagine or just plain rigged.

Now, have you ever wondered how it would be like to apply this very simple concept to mundane tasks or jobs? For example what about holding a contest to select the best defense for your case in court or one  to get the best diagnosis from a bunch of doctors. Why not go further and pay only if you’re satisfied with the end result. Wouldn’t that be a dream world? Thanks to the Internet, you can now do just about that if you’re in need for a design or copywriting project. That’s what you get when you mix the age old custom of pitching an advertising or marketing project and combine it with the modern eastern philosophy that any price is good as long as it’s above zero.  From a designer’s point of view is the worst of both worlds: you risk to work for free and if you do get paid its below what you’d normally get from a regular client.

Much like any other professional working in the services industry, a designer’s job is to provide you with a (creative) solution tailored for your own specific needs, based on years of experience and learning. Even though apparently there are no tangible resources used in the process, this doesn’t mean it should be free. Similar to a lawyer or a doctor, you’re paying for the time spent conducting due diligence on your projects’ behalf. Unlike them, you also have to deal with technology related costs which add up and can turn pretty steep at times. On the other hand, even institutionalized advertising is still much younger in comparison with the other two professions previously mentioned. It’s no wonder why most potential clients have little or no understanding of how it can improve their overall sales. Plus, graphic designers are often associated with hippie, irresponsible, wing it characters based on decades old stereotypes.

The benefits of participating in design contests

  • Probably by far the best thing you’ll get out of participating  in design contests is having the chance to gain experience and build an extensive portfolio in a relatively short amount of time. If you’re serious about being a designer, you cannot live on contests alone, but attracting clients can be hard when you’re just starting up. Just like stock  photography sites, while they do provide a decent income once you go beyond a certain level, the whole experience is not as rewarding as the real deal. Plus, there’s always the feeling of amateurism and playing in the Little League. That’s why you should use it more as a means to an end rather than the end itself.
  • Get lots of inspiration and be motivated to step up your game and learn new tricks. Seeing how others approach the same design brief will literally help you step out of the box and acknowledge that there’s always more solutions to the same problem.
  • Make (sometimes) a significant amount of extra cash. It’s true that you can make the same amount of money in half or even less time, but luck plays a huge role in all of this. You can draw the winning logo design in half an hour and make 500 bucks. Or you can struggle for a week.
  • Gain some regular clients based on previous wins. In time, it can even lead to more work through word of mouth. While its true that the “more work ahead” line is overused as a dubious motivating technique, it does ring true every now and then.
  • Have to deal with an incredibly varied array of human personalities, which is a good way of becoming a great communicator. That’s probably why it’s one of the most challenging things about the whole experience. While it does take plenty of time explaining everything, it also pays off. Those who matter, will understand you’re looking in the best interest of their brand and will be more open to discussing various options, thus improving your chances to win. Plus, you’ll learn how different people react in different situations. For example, i’ve learned that usually SEO and IT professionals are greatly challenged when it comes to visuals and more prone to picking up a winner based on stereotypes or the coolness  factor. They have a hard time understanding branding and often confuse their own preferences with those of their target (Web 2.0 style, stripes, glossy look and things which were a fad almost half a decade ago).

The downsides of design contests

  • The biggest drawback of doing design contests it’s the risk and uncertainty of ever getting paid for the time spent. There are basically two cases here: your submission might not be the winner or the client might abandon the contest altogether. It’s also not as uncommon for a client to simply use the designers’ work as a free source of inspiration and then replicate it by their in-house team.
  • The risk of joining a rigged contest (a slim chance but a chance nonetheless a practice with an unfortunately high occurrence rate). You should look for several signs such as: some last minute entries that sum up a lot of elements from other designs by a ghost or first time designer, the copycat receives better overall ratings than the original designs, the winning design is indisputably lower in quality than most of the other submissions etc. This is usually done either by a cheap contest holder willing to rip off the work of designers/get a free ride or by an insider close to them.
  • Having to deal with the insecurities and hidden agendas of clients. More often than not, the contest holder will have their mind set on a specific submission (even early on in the game) and work with the designer to improve on it. However, it will continue asking for designs from others just to validate his decision. While that’s clearly unethical, you’ll learn to spot it after a while.
  • Being beaten by a competitor who has copied parts of your submissions is clearly annoying. What’s even more so, it’s when the client is endorsing such behavior. It’s not Shareville, so borrowing design elements between contestants should be a clear no-no.  Yet, some will request a specific designer to include either the layout or the icons from another submission which is a soft case of copyright infringement.
  • Often poor, incomplete and ever changing specifications in the brief as well as sparse or no feedback from the client. While it’s always frustrating not having enough information in the first place, it’s even more so when rules change during the game. Don’t be surprised if you see stationery requests added to a logo design project just a few days after the start. Also, unlike during a contract, it’s up to the client to decide if they’ll increase the prize along with the requirements.
  • You have absolutely no control over the outcome of the contest and it’s often down to luck, no matter how many five star submissions you might have or the amount of positive feedback received.
  • Because communication is done entirely through emails and small messages, the final choice is largely based on emotions (or family/friends’ advice). Unlike when dealing with a client face to face or over the phone, you  have less chances to explain why your design choices work best for their product. I often got responses like “my friends thought it looked cool” or “i asked a friend and said why not try this color”.
  • Not dealing with the client directly robs you of all the non verbal cues that might signal either a tasteless goon or a stubborn/control freak you’d be better off without. Your best clues lie within the brief. If the client point to samples or inspiration sources of debatable quality/taste then it’s best to pass it on to others. You might not want to work hours or days only to see a kitsch or copied design get 5 stars and the prize.
  • The websites holding the contests are money making machines. That’s why when it comes to picking sides and arbitrating disputes, they’ll often go with the client since that’s where the paycheck comes from. “Made by designers for designers” is as crap talk as you’ll ever get. They’ll try to sweep any dirt under the carpet and remove/silence anyone not willing to keep quiet about disputes. As an example how much they care about designers’ welfare, their terms won’t even guarantee you the right to use your own work for your online portfolio. Plus, promoting logo design contests for as low as 100 bucks or making 70% of any stock logo sold (just for hosting) doesn’t seem too emphatic.
  • Supporting design contest websites will lower overall prices in the design industry so even those in for a quick buck will have to deal with it later on in their careers.

Normally, i don’t have an issue with those small business owners who struggle when having to spend a lot of money on design services. I even find it refreshing helping them, since they are often nice people, willing to listen and learn more. They deal with you directly without employing a stuck up, pretentious “professional” to manage the contests with lines straight from the textbooks.  Yet, it does get pretty old, when just a few submissions into the contest, some client turns from this humble, nice person into a control freak, setting loose a revision and visual experimenting extravaganza.

Still, there’s another thing which I’m struggling to understand and i can only justify it through chronic greed. It’s when big corporations or privately owned businesses selling  luxury products are willing to award obscenely low prizes. How would you comment on someone requesting a logo or packaging for a soon to be released sophisticated premium product targeted at a rich demographic, but who’s reluctant to offer more than a couple hundred bucks for it? How’s that supposed to attract talented and serious designers instead of young hobbyists or shady individuals willing to copy existing brand identities for a quick win. Also, if they cheapen on the marketing front, how will i know they don’t do the same while building their products?

I hope this will help put things in perspective and maybe save you of some unpleasant experiences while participating in design contests. If, on the other hand you’re thinking of holding one in the future, you might want to check this blog from time to time. Later on, I’ll be posting some tips for managing a contest so that you get the most out of the designers’ potential.

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Ornate fleur de lis symbols – free vector graphics download

Set of twelve ornate fleur de lis free vector graphics download
Set consisting of twelve fleur de lis symbols in one-color designs. Six of them are simple monocromatic shapes while the remaining ones have different hollow ornaments on the inside as well. They all feature various types of curls, fleurons and the spade like shape in the middle. Inspiration came from various history and architecture books, which pictured details from medieval castle facades or from extended ornaments built around a certain coat of arms. You can use them straight up after download, tweak them around a bit to suit the exact needs of your project or break them down and employ the resulting shapes for your specific design scenario. If you’re interested in downloading the background texture as well, just visit my Flickr photostream (see the menu on the right) and you’ll find it there along with others.

As always check the EXIF for licensing. You’re allowed to use it in both personal and commercial projects. While, you shouldn’t redistribute it or link directly to the file, you can link to this post instead. Attribution is required.

To download the archive click here.

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